Did you hear they are remaking...why?

I know usually on this blog Nathan and I focus on a particular movie, however I would like to focus on a particular group of movies this time. Remakes are something that just really annoys me. I suppose if it is done right a remake can be a beautiful thing, but 99.9% of the time the remake of a movie pales in comparison to the original and that is putting it nicely.

A perfect example of this is "The Pink Panther." The original of this movie was released in 1963. The original starred Peter Sellers who was an absolute comic genius, if you do not believe me check him out sometime, he was in a lot more than just "The Pink Panther." He was in fact a bumbling and clueless detective, however it was very funny and witty. When it was remade in 2006, Steve Martin replaced Sellers and the results were tragic. Instead of coming off funny and witty he came across as silly and annoying. Please do not get me wrong, I have nothing against Steve Martin and I do believe he is very talented, but this movie should have been left alone. It was perfect the first time around, the second time around you had the distinct impression that the studio was just trying to milk the movie for all it was worth. Lets all hope the remake of "Get Smart" is not as bad.

With the mention of "Get Smart" that brings me to the next topic of remakes. That is the TV show remakes. These can work two ways, one the TV show is such a hit they make a movie out of it. The second way is the movie worked so well they decide to make a TV show out of it. An example of the former is "The Dukes of Hazzard." An Example of the latter is "My Big Fat Greek Wedding" which was made into "My Big Fat Greek Life." On both of these examples the original far outshines the remake. Moving mediums like this does not usually work, in fact it usually fails miserably.

Another genre of remakes is foreign films. Take for example "The Departed," this was originally a Japanese movie "Mou Gaan Dou." This is one of the exceptions to the rule, this movie was great both in the US and in Japan. The major argument I have about these are; Why can't we leave well enough alone? The Japanese make wonderful movies, especially Horror movies. "The Grudge"(Ju-on), "The Ring"(Ringu), and "Pulse"(Kairo) are all remakes of Japanese Horror films. I have no idea what makes us think we should remake all of these great foreign movies. I fully believe we should show them here in the US the way they were meant to be seen. They have a much better effect that way.

The final remake I would like to discuss is the remake masquerading as an original. I was watching TV tonight and I saw a trailer for a movie called "Made of Honor." This movie is about a man that has lots of friends but only one best friend. No surprise this best friend is a girl and she tells him she is engaged and would like him to be her maid of honor. Soon he realizes he is in love with his best friend and accepts the offer to be able to break up the engagement and stop the wedding. Now I remember this movie from a few years ago, it was called "My Best Friend's Wedding." This is the type of remake I truly despise, the non-remake remake. Do they really think they can fool us by switching the genders of the main characters. The sad thing is and it sounds really mean but it must be said, Patrick Dempsey is the main character in this movie and thousands of McDreamy's fans will flock to see it. Could the movie studio not find him something rather original to be in.

Bottom line is, remakes are a bad bad bad bad idea. They exist though, I remember talking to a girl not too long ago that thought "Psycho" was made originally in 1998. She had no idea who Alfred Hitchcock was or that the original "Psycho" was one of the greatest movies ever made. This is the danger of remakes, there is a whole generation that needs to know the originals of these movies were great and we need to make them aware to keep the movies alive. So, please do your part, next time you go to the rental store or the movie theatre, remember the film that made the one your seeing what it is, there is almost always one of those.

One Lovely Christmas Holiday

There are a few things I am a sucker for in movies. One would be a good romantic comedy, not the typical "chick flick," but the romantic comedy that anyone can appreciate, even a guy. Another thing would be a movie that delivers perfect performance by all involved, this includes a remarkable script and score. The final thing would be, a movie that makes me feel that I can totally identify with the characters, ones that can remind you of your own life.

I have mentioned more than once that I believe there is a formula to making a successful romantic comedy. There has to be conflict, a break of the relationship because of that conflict and finally a resolution and a happily ever after. There is one movie in recent years that achieves this supremely and it is "The Holiday." The script was written only after the four main stars agreed to do the movie. Nancy Meyers wrote this movie and the four main characters in it especially for Cameron Diaz, Jude Law, Kate Winslet, and Jack Black and it shows. Each of the characters fit their own actor perfectly. Also the score of the movie was written by Hans Zimmer, he writes a beautiful score that fits every moment so perfectly. Now I can't say that this movie is without flaws, there is no movie that is absolutely perfect. There are production flaws and a few continuity flaws but if you are not specifically looking for them you would never notice. The movie's story outweighs all these in the long run.

Amanda (Diaz) is a movie trailer maker living in L.A., when she breaks with her boyfriend she decides to go on a trip over the Christmas holiday. She logs on to a vacation website and soon finds Iris (Winslet), a newspaper writer that has been in a relationship for several years with a man that does not love her back. Both women switch houses and soon find they can find love even without looking for it. They also in the process find out more about themselves than they ever expected. Now with that out of the way I can get to the good stuff, what helps to make this movie so appealing. Amanda, being a successful movie trailer maker, sees the events unfolding in her life as a movie trailer. Iris meets the man that lives next to Amanda, who is a retired film writer. He convinces Iris that she is worth while and a leading lady by recommending several (a whole list) of movies with all of these powerhouse women in it. Jack Black also delivers a great performance in this movie as a movie score writer. He provides a light heart and sweet side to this movie, and relates all things in life to movie scores. I love all of these factors of this movie, because if you have worked in production at all you will find that your mind gets wrapped up in it. Every time you see a new house you think, this would be great on film. You here a story and you think what an awesome script idea. Or even music you think that would be perfect for this type of scene.

I highly recommend anyone that loves romantic comedies, loves movies, or just anybody really to see this movie. It is a well written and beautiful movie, I have to thank Nancy Meyers for writing it and I hope she will provide us with many, many more.

Enchant this!

Okay, okay... so I watched "Enchanted". Truth is, I knew very little about it going in and I wasn't expecting much. I was mainly hoping it would be somewhat entertaining, but I mostly feared I would feel pretty silly. Why did I watch it, you ask? Because my wife and I were wanting to grab a meal and watch a movie with some friends. Our friends wanted to watch "Enchanted" and being as it was the theatre was showing "Hitman", "This Holiday", "Fred Claus" and "Enchanted" I didn't really have any better suggestions.

All that said... boy, was I wrong. I was very much entertained. The opening sequence alone had me laughing pretty good, as it was an animated sequence that pretty much made fun of all things Disney. Were there cheesy moments? Yes. Did it have some cheesy elements? Yes. But with what little cheesy stuff it did, it was so much fun and genuinely funny. Dare I say, "Good, clean fun?" I dare.First things first, the animated parts were (in my opinion) a lot of fun, because they channeled the old school Disney animation. The film even started with the "opening of the book" and narration. Yes, in true classic Disney fashion. However, my personal favorite element was Amy Adams. Amy Adams plays the lead female, Giselle, who is about to marry her Prince Charming in the animated world, but the stepmother has other plans in mind and so sends her to a world where there are no happy endings or something... of course, this would be normal, non-animated world. You know, the one we live in. The one with accountability and consequence. I'm sure you've heard of it. Alas, I digress. Her portrayal of the "once animated", happy-go-lucky, naive girl and princess-to-be was priceless. There was even a touch of the Jane Fonda quality from the "Barefoot in the Park" days about her. Her ridiculous innocence contrasted with her new male counterpart (Patrick Dempsey) in the "real world" (no, not a VH1 show... or MTV or whatever), because he was dead stuck on the "reality of life." For example, like buying his young daughter a book of "the most important people in the world" or something instead of "that fantasy book" she wanted. And as it is when I find something extremely funny I go into cackling laugher (a genetic defect, I'm afraid), I often found myself cackling out loud in our not-so-crowded crowd. Truly, one of the prime examples of this hilarious contrast between the two characters was when Giselle starts to sing a song in Central Park while he tries desperately to get her to stop (because in "real world", it ain't no musical, Fool). Unfortunately, for him, but fortunately for us some other local park musicians join in with her and before you know it we have a full-blown musical production number in Central Park. The scene was nicely done and reminded me of Gene Kelly's adaptation of "Hello Dolly".

The short and skinny of this review, is that "Enchanted" is absolutely delightful and funny. And not too adult for the kids. And besides, what could be more entertaining than a very eccentric Susan Sarandon? So, I say: If you need a laugh and some delightful entertainment, go watch "Enchanted". After all, it may be one of the most original things Disney has done in the past 10 years or so. But, I make a prediction... since it seems to be a success, I'm sure Disney will try to cash in on it for as much as they can. I'm predicting right now that they will make an "Enchanted 2" that has the realistic male counterpart traveling into the animated world, for the opposite effect. If they do, you owe me. I truly do not understand why Disney can't just let a good thing be. Seriously, wouldn't we all had been appalled if Orson Welles tried to cash in by directing "Citizen Kane 2: Kane's Revenge"? If you make something good, leave it be. That's all I'm saying.

Die, Die My Darling... no, seriously, DIE!

If you've ever seen the movie "Die, Die My Darling" (or "Fanatic") from 1965, then you know where I'm coming from...

This was the first film I'd watched with Stefanie Powers; I'd recently become interested in seeing her work since a friend of mine was apparently named after her. However, this isn't why I had the movie in my house, I got it as a birthday present along with a lot of other DVDs this past October.

We'll start from the beginning, because a song in movie (I can't stand) once told me its a good place to start. As my wife and I watched the opening credits, it took me a few seconds but I eventually realized what was going on and shouted, "It's a game of cat and mouse!" The opening credits played a piece of music that was very out of place for a horror flick and showed footage of a cat chasing around a mouse. The opening credits, I feel, would have been better suited for a family movie. In the end of the opening credits, the mouse gets away and I shouted, "Oh, no! The mouse got away, this will end up being the entire movie!" Prepare to be spoiled: I was right. And you can't be mad at me, because the opening credits would have given it away anyhow.

On to some good points, though, after the opening credits I began to feel a bit better about this movie. The first scene was with Stefanie Powers and her (what I thought to be sexist) fiance driving. The dialogue was pretty bad, but I took note of some interesting cinematography techniques for the time period. I'm pretty certain they were actually driving in traffic, as opposed to driving in front of a screen. This made me feel better about the film, though at their destination some dialogue ensued that made plenty of sense but would have made Powers's character look much more intelligent if she would have used some real life terms of reasoning, instead of just going, "It's just something I have to do" or whatever. I kept thinking to myself during this dialogue, "Just say it is the only way you can truly resolve the matter and get it over with!" Oh, right... I was suppose to be talking about good points.

In the beginning of the film, the cinematography did some very innovative stuff for the time period and the shot where Powers's character drives up to the crazy, old lady's house for the first time is prime example of this. However, the cinematography soon took on a standard, painful turn and the script kept bombing and Powers's character constantly irritated me, because she was the biggest wuss ever! I mean, come on, in the first scramble of the movie she falls on her own briefcase and is rendered useless. She holds herself, grunting and moaning in pain like she broke her rib on her padded, 60s briefcase. Um, DOUBT IT!

The movie truly saddened me, because the actors were truly talented actors but they were selling out to melodramatic measures for a script with little substance (basically a kind of reverse/retelling of "Psycho"). Not that "Psycho" didn't have substance, but it seemed to steal from it and then didn't deliver much on its own. A young Donald Sutherland was fun to watch (as he always is), turning in probably the only non-melodramatic role in the movie.

There were a few redeeming qualities, like sometimes a fantastic concept for a suspenseful scene would begin and I often found myself getting excited and thinking, "This is like a Hitchcock scene!" But, in the end the scenes just didn't deliver the masterful finish like Hitchcock's scenes do.

Oh, random note, I love how Stefanie Powers changes out of her day outfit into her white gown

for a nap, then into an evening outfit after the nap and then into a red gown for night sleeping. How many outfits can one woman bring on a trip, seriously? And in two briefcases?! And do you really need separate gowns for naps and bedtime at night? Well, they just wanted her in as many outfits as possible before she wore one for the rest of the movie, I guess. Not that she wasn't styling or anything, because she was... it was all very retro and classy, but a little over the top.

In closing, the look Stefanie Powers is making in the picture above is often made in times of violent turmoil. It was like the director told Stefanie Powers (our heroine) she was doing a comedy (so she went for the Jack Sparrow approach to violence) and then the director turned around and told Tallulah Bankhead (our villain) that she was in a horror film. The result: Huh?

(aside) Just as I was about to publish this peachy review, I switched to another browser which still had Tallulah Bankhead's http://www.imdb.com/ profile showing. As I closed the browser, the year 1968 caught my eye and I recognized it being near her date of birth or date of death. Knowing there was no way it was her date of birth, I opened another browser and went back to her profile. Sure enough, Tallulah Bankhead died only three years after this movie was released of pneumonia and influenza. So, now I realize I feel a bit bad spending so much time bashing her second to last film. Her last credit was as Black Widow in two episodes of the original "Batman" series. In light of this, I will say that despite some melodrama in this movie, there is one scene in particular where she truly stood out. Its a strange scene where you see a fantastic glimpse into her character's grief and inner struggle to honor her dead son, keep on the path of what she considers right and not give in to what she considers sin (which most people consider every day norms). I remember being sucked in as she cried and screamed, torn to do wrong and even giving in for a moment. In that one scene, I think she truly shined despite the screenplay's faults. And as I noted earlier about this movie, "the actors were truly talented actors." Indeed, she was. The picture on the right was taken, obviously, from when she was much younger. At death, she was 66 years old.

Headed Home for the Holidays?

Every once in a while I find a movie that I just love. Maybe it is the actors or maybe the director or even the style (lighting, mood, setting) better yet, maybe the script. Perhaps it is a combination of all of these factors. There is just something about a movie where everything just works together to make a truly terrific movie. The movie I am referring to is "Home for the Holidays."

This movie somehow reminds me of my own life. Not that I am nearly as attractive as Holly Hunter, I don't live a plane ride away from my family, and certainly my family does not have all the same odd quirks as this one. However, we all have families with weird quirks, we all look forward to the family get together and we are all thankful when the big mess is over. Your family can drive you crazy like no one else can, but they are your family and you love every one of them even though sometime you are not so sure why. We all have that strange Aunt or Uncle, or the person in the family that thinks they are better than everyone else, or the family member that is living a life that not everyone approves of. This movie manages to portray all of this without going over the top. So many movies try and fail in an effort to show families for what they are, strange.

As I mentioned before there are many elements that make this movie just right, so I will not waste your time by mentioning them all, here are just a few. The cast - This movie has really strong performances by all involved but I did find that Cynthia Stevenson did a superb job with her role as the overbearing, perfect and controlling older sibling. Robert Downy Jr. also was great in this movie and I was really surprised to find out that during the shooting of this movie he was using drugs pretty heavily, he plays the part of the sibling that is living a life no one approves of. The script was written strongly and is very witty, there are some great lines in this movie that will stick with you, you can remember them when you are stuck at Thanksgiving Dinner this year.

"Who are these people? Where did I even come from?" -Claudia Larson (Holly Hunter)

"If I just met you on the street, if you gave me your phone number, I'd throw it away," Claudia's sister Joanne tells her. (Cynthia Stevenson) "We don't have to like each other," Claudia answers. "We're family."

"I'm giving thanks that we don't have to go through this for another year. Except we do, because those b*****ds went and put Christmas right in the middle, just to punish us." - Adele the Mother (Anne Bancroft)

The only major problem I have with this movie is location. At the beginning of the movie when we are introduced to Holly Hunter's character we are led to believe that she lives in Chicago except all the things around her are located in Baltimore. If you had never been to either place or seen pictures of these places, this would not be a problem at all. There are also a few other mistakes in this movie, but the movie itself far outweighs the mistakes in production. I think this is a fun and warm movie that you should see, it might just remind you of your own Thanksgiving Holiday nightmares.

Find your Path, Loser

Yes, I watched "Pathfinder". And it gave me exactly what I was craving at the time. I was craving something that would take me away from reality and that would be exciting or "action-packed" as people often put things. It delivered. I'm pretty certain it wasn't the deepest story or characters ever written, but it was entertaining and that was good. It met a craving and that's good, too.

Sometimes we as an audience get overly analytic sometimes (myself included). Sometimes we just need a movie to met a basic human need: laughter, comfort or escape from reality. Some movies deliver comedy that will warm any down-drodden heart, and though we could reem their overall production value it doesn't lessen their value in society. "Pathfinder" (for me, anyway) met a basic need, to escape from reality. It sucked me in, took me for a ride and that was good enough for me. Honestly, I want to watch it again (with my analysis powers on), because I really didn't analyis this movie at all. I just watched. Which isn't bad, it's good.

I must admit, I was thoroughly surprised and joyed to find that Brother Justin was in it (or Mr. Krabs to some). I am speaking of Clancy Brown, a fine actor who constantly shows his versatility. It still amazes me that the same actor can play Mr. Krabs in "SpongeBob SqaurePants" and Brother Justin Crowe in HBO's amazing series "Carnivale". So anytime I stumble across this fine actor, it brings a smile to my face. And now, he's in fantasy-action flick so I'm further amazed by his talents.

Of course, Karl Urban is always fun to watch, as well. He does so much without opening his mouth; that stern face says so much. Although, I do recall that seeing him peaceful at the beginning of this movie seemed a bit awkward. And of course, he was absolutely fantastic in "The Bourne Supremacy".

Okay, so I'm not really talking much about the movie this time. I just had fun with it and I think that's about all this movie is good for. I'm remembering now, though, that a lot of the dialogue was pretty cheesy or predictable. I think the key thing is that this wasn't a well-written script, but the finished product was entertaining. Although, I do remember being a little thrown off by the action scenes at first because it was amazingly jumpy. The movie will show our hero in one place cutting someone's head off or something, then the next clip is him swinging from a tree or something, and then the next clip is him on a horse with a different weapon. But, I got into it later. It still doesn't seem like an extremely effective way to shoot action scenes, because your purposely filming a bunch of random stuff. At any rate...

Long story short, I recommend watching it but don't go in wanting to analyze it. Just watch it for what's worth: Entertainment. Don't forget that movies are still considered a part of the Entertainment Industry. Anyway... be entertained.

A Trilogy of Romance

I realize that we usually talk about just one movie, but what the hay, I feel like talking about three and maybe a mention of a forth. The three movies I would like to discuss are "Pillow Talk," "Lover Come Back," and "Send Me No Flowers." If you are not familiar with these titles they are the three movies that Rock Hudson, Doris Day and Tony Randall stared in together. I have to say that I am a huge Doris Day fan, actually sitting here I can't think of a single movie I have seen with her that I have not liked. However, this is not a review for praising Doris Day, what it is though is a review to praise the team of Rock Hudson, Doris Day and Tony Randall.

Although Rock Hudson and Doris Day alike made many romantic movies in their career, I would argue that the best ones by far are the ones that they made together. The two had what a perfect on-screen chemistry and once you add Tony Randall to the mix you have a fabulous comedic team.

In "Send Me No Flowers," Rock Hudson plays Doris Day's husband and also happens to be a hypochondriac. In one of his many trips to the doctor's office he mistakenly thinks he only has two weeks to live. Loving his wife so, he decides to set out and find her a new husband, only for her to think he is having an affair. "Lover Come Back" features the couple playing competing advertising executives. Doris Day gets tired of Rock Hudson wining and dining his way to the top, and comedy and romance ensue over a manipulation on Rock Hudson's part that goes wrong. And last but not least, "Pillow Talk," which is my personal favorite of all three of these movies. Rock Hudson and Doris Day play two people that share a phone on a party line. They frequently annoy one another until one day when Rock sees Doris and becomes quite smitten. He invents a new character called Rex, a smooth talking southern gentleman that quickly romances Doris. All goes well of course until Doris finds out the scam. "Pillow Talk" was the first movie of this comedic trio and has set the bar for so many other romantic comedies to come. This movie uses split screen shots to tell a good deal of the story, which only adds to an already outstanding script. The scenes where Rex and Jan (Doris' character) are talking on the phone are really a remarkable sight. In one scene where they are talking on the phone, both characters are in a bath, through the use of the split screen they touch their feet together. Oh well I guess you should just check it out to see what I am talking about. If you need immediate visualisation this was done in "Down with Love," this movie was nothing more than a type and shadow of a Rock Hudson and Doris Day movie.


Almost all romantic comedies follow a certain formula, this is present in all three of these movies and so many movies have been styled after this method since their release. For example, there is always a conflict for the main characters, an explosion of the relationship resulting from the conflict and finally resolution and happily ever after. Now I know that not all romantic comedies follow this, but the vast majority of them do. Tony Randall creates the Best Friend aspect of these movie, this is always an important element to romantic comedies. The best friend is always an aide in resolving the conflict and brings much needed quick witted humor to the story. Yet I would have to say that the humor he brings to these movies is just an added bonus, because the banter that goes on between Rock Hudson and Doris Day is laugh out loud hilarious. Also, I have to point out that the style of this movie, wardrobe, set design and cinematography were to become mainstream as well.

I would highly recommend that you see these three movies. Maybe they will not appeal to all people, but if they do you will be adding three really good movies to your favorites lists. I will leave you with a particularly funny quote from "Pillow Talk," this quote came from http://www.imdb.com/ :


[Jan and Brad are on the phone discussing a phone schedule]


Jan: We're just going to have to live with each other...


[Jan pauses, waiting for a response]


Brad Allen: Well?
Jan: I was waiting for you to say some off-color remark.
Brad Allen: Is that all you have on your mind?
Jan: Never mind my mind! You just stick to your half hour and I'll stick to mine!

Vertigo

Okay, I couldn't take it or something. It's about time for me to digress from talking about random movies and really talk about one I love with a seething passion.

Here's the thing about "Vertigo":

• It's directed by Alfred Hitchcock
• It stars Jimmy Stewart and Kim Novak
• It takes place in and around San Fransisco and other amazing sites and places
• The score is by Bernard Herrmann
• Um, it's amazing!

"Vertigo" is utterly mesmerizing for a million different reasons. I'll focus on a few I can't help but notice.

The visuals and score. Herrmann's score complements Hitchcock's vision so much, it boggles my mind. I don't know if visuals and music have ever been so chic together, but I think this fine couple can shack up any time. Okay, that was a bit creepy, but seriously... the cinematography is so beautiful, the locations are so memorable and elegantly brought to the screen and the 90s restored version of the movie really helps us enjoy this masterpiece by the master of suspense.

Stewart really out does himself in the role of Scottie. He really captures everything the music, the locations, and the cinematography were trying to convey. Especially since there is a considerable amount of time where he is on screen and there is no dialogue, just visuals and music. Novak also does her part in these moments. They really aid in creating an eerie and surreal mood that takes you on a wild journey that will have you wondering what in the world is going on. And I love it.

And it's not just the acting and it's not just the music and the cinematography... it's the story as well. It's very well crafted. If you do any little bit of dabbling around on the Internet, you'll find people studying all the different aspects of "Vertigo". I could never do justice to try and remember or conjure up all the connections in "Vertigo" to Greek mythology and all the other ancient works people often associate with "Vertigo". It's really very deep and emotional. The word I like using the most to describe this favorite of mine is intoxicating. That's how I always feel about it. It sucks you in like an addiction and won't let go. And don't worry, no hangovers. Oh, my... lame.

So, basically, I think everyone should watch this movie because I love it so. Although, it probably won't be everybody's cup of tea. I strongly recommend not watching with a group of friends, because you probably won't be able to get into it that way. Either cuddle up with a honey or watch on your own. And alas, I leave you with a quote from the film to tease you:

Do you believe that someone out of the past - someone dead - can enter and take possession of a living being?

I think it was one session too many

Even though this will show up as November 1st it is still Halloween to me (I have not been to bed yet). I thought I would ring out All Hallows Eve with one more horror film. "Session 9" is a movie I went into with high hopes, I mean how much better of a plot could you have than a crew of men go into an abandoned mental asylum to clean out asbestos. Boy was I ever wrong.

I suppose I should lay down the good before I rant about the bad. This movie was one of the first films to be shot with Sony HD, with this the creators of this film were able to use more natural light instead of tons of harsh studio lighting. This creates a beautiful film that seems more realistic. Also, there are very few mistakes in this movie, and they are hard to pick out. So from all of these aspects this movie is made very well, and really sets the bar for movies to come.

My problem with this movie comes down to two things, first the script itself and second the acting. The script is long, drawn out and dry. The movie does keep you in the dark about what is going on throughout most of the movie. Now this is a good thing in screenplays, in that, you are always wondering through the whole movie; What is going on? Now keeping the audience guessing is a great thing if and only if you resolve all the questions in the end. "Session 9" does not do this, the ending is just as confusing as the rest of the movie. I left this movie with so many questions, as to what or who was causing the strange occurrences.

The second problem I have is with the acting in this movie. David Caruso stars in this film and as with most of his roles he over acts, there is nothing worse than watching a movie and realizing that this man is acting, this is not real at all. And just for the record I realize the difference between real and imagination. I am just saying that when I watch a movie I want to believe for that short time that the actor I am watching is really the character in the movie. The other actors in this movie give off the same kind of vibe, that is all except for Peter Mullan. Peter plays Gordan, a man that throughout the movie you can not tell if he is going insane, or if the things that are happening to him are real. Of course we should know all of these answers by the end of the movie, but here we go again with the script. Oh well isn't this a vicious circle.

My thoughts are you should watch "Session 9" and judge for yourself, besides it is worth the watch to see the amazing effects in lighting. Hopefully you will get more out of this movie than I did, I am going to take an aspirin now for the headache it gave me.

I Just Love a Good Magic Act

As I browsed through my local Blockbuster I would always see a movie named "Smokin' Aces." I never did compel myself to rent it though. However, this all changed this past week when I happened to see a review on it on "Reelz" channel. I quickly came home and found it on one of my movie channels.

This was the first movie I have seen by Joe Carnahan and it was well worth the watch. Joe is a multi-talent in Hollywood he writes, produces and directs most of his films. I find that movies work better if the person writing the script directs the movie also, there is a beauty to that because there is never any doubt as to what the writer had intended.

"Smokin' Aces" is a film about an ex-vegas Magician (Buddy "Aces" Israel) that has worked his way up to a mob boss, now not only is he a mob boss but he is the boss of a faction of a family that he has spit in half. This definately does not make him a favorite of all the other made men, but when he turns state informent the fun really begins. The movie becomes a race to see who can get to Buddy first, the hitmen (there are many), the bondsmen, or the FBI. All of this adds up to one really shocking ending. The true magic of the film is that old slide of hand trick, while you are being told one story it totally distracts you from the real story.

This movie is visually stunning and not for the weak of heart. If you do not like graphic violence, this is not the movie for you. Also I must point out that there are really strong performances from two very unexpected sources. Jeremy Piven, who plays Buddy and Ryan Reynolds, who plays a very strong role as one of the FBI agents that are sent to protect Buddy.

I would recommend seeing this movie if you are an action fan. It is a magic act of truly great proportions.

We All Get Cabin Fever from Time to Time

I grew up mainly through the Eighties and have had plenty of experience with the Slasher Film. As a result of this I am not usually drawn to a Slasher Film per say, I suppose I have seen enough of them and I am more impressed if I can be scared without all of the gore. Now that being said I have to tell you that my step-children are of another school of thought, the more blood and gore the better. So on their last Christmas holiday at our house we just had to watch "Cabin Fever."

The basic premise of this movie is some college kids rent a cabin to get away and party after their finals. Once in the woods they are threatened by some homicidal maniacs and on top of this they start getting infected with a quickly progressing flesh eating disease. All of these factors equal one horrifying and gory movie. I have to say though even with all these gruesome details I have never laughed so hard at a horror movie in my life. "Cabin Fever" is not truly a horror film nor is it a comedy, however as both it is a pretty OK movie. This movie is full of corny lines that makes it oh so memorable and one scene in particular that will change the thought of shaving your legs forever.

As far as the quality of the film making I can not say a whole lot for it, there are bunches of continuity mistakes, but overall the movie outweighs these problems. I would suggest seeing this movie if you are at all a fan of slasher movies, because even though it is not even remotely a great movie it is highly entertaining.

When a Stranger Calls it Hurts Inside

My wife and I watched When a Stranger Calls a while back. We had seen the original and the sequel to the original back when we were dating. The only reason why we watched the original in the first place was because we were wanting to watch something and we were at her house and it was there and neither one of us had seen it before. One of those movies that people own and don't know why thing. So, we watched it and we were surprised that it was pretty good. Especially, that opening sequence... whew, genius. So we watched the sequel as well and naturally it wasn't as good as the first.

The remake, though, I'm sad to say, was pretty painful. Okay, really painful. I know a movie is really bad when I can start blurting out mistakes and laughing and my wife doesn't stop me. You see, we usually give movies a good chance, a nice run for their money. But, sometimes movies are just so bad you can't help but start blurting things out. Grant it, I can be bad about pointing things out and talking to the characters on screen, but I control it. Usually.

But this time, I couldn't. You just can't do what they did and expect me to sit back and take it. For the first time, I think, after the film was over we went back to scenes and reviewed them to point out mistakes. One of my favorites was a shot that clearly had some guy in a white T-shirt in the background. Go crew; you rock! And go editor for not seeing the obvious dude in the background! And it was more than that... a lot more than that. And let me clarify that I am not demeaning crew and editors. I myself am often a crew member on our productions and the main editor for our company.

What really disturbs me the most though is how a movie can be so inconsistent and painful yet somehow those involved in the production are proud of it. How do they not see these things? I realize people have different tastes and there may be some of you that read this that will have enjoyed the movie; but seriously... from a stand point of inconsistency and mistakes, how can people say this is a good script? How can they honestly look at all the inconsistencies and feel fine with it that way? When we're working on a project the actors, crew and anybody else involved in the production are always keeping us in line. Because, honestly, no one wants to make a bad movie. So what if that means changing the script a little? When it comes to quality, it's worth it! There's been things that I've really wanted in some of my scripts before, but I had to drop them, because it just didn't work with the story or the characters. Ah, well.

The bad movies bring out some good, though. It makes me think about these things and try very hard not to make the same mistakes and to watch out for certain things. But, at any rate... I have attacked this film quite enough.

Sometimes staying alive is harder than you think

I hate when I sit down to a movie and think it will be pretty good and it ends up being a real stinker. This is exactly the case with Stay Alive. This movie is most disappointing because it had such great potential to be a truly scary movie.

The basic idea is that a group of people start playing a video game that has never been heard of before, a game based on the life of Countess Elizabeth Bathory. And yes, I have come to find out that this is indeed a real person that did horrible things to young women. As the characters in the movie play this game they find they can not win and as they die they are picked off in real life the same way they died in the game. Now this plot could be really interesting, however, it is never explained why the Countess decided on the time or the medium that she returned in. Also, if you read up on history you will find that the Countess never lived on the plantation that is featured in this movie, she was alive way before the US was even discovered. Also the plantation in real life does not match the one in the game at all on the inside, this would not be so noticeable except it is put right in front of you in a couple of scenes. Plus, there are so many plot strings in this movie that are never followed through and I found it to be very confusing at moments because of critical information that should have been included in the story was left out.

Now, don't get me wrong, all movies even bad movies have at least some good. I really liked the idea that the characters in the movie are killed in real life the way they are killed in the video game. There are some really nice jump scares, shadows that appear in the corner of the shot, flashes of figures while a character is being stalked and so on. There is one scene where a character is run over by a horse and carriage, this in my opinion was the best scene of the movie. The visual effects in this scene and the subtle use of suspense made it most satisfying. The plantation that was used for the real life place featured on the game was so ubber creepy. The house was fabulous with all of its overgrown greenery on the outside and long dark hallways and secret rooms on the inside. Once in the back of the house there is a amazing scene of a graveyard and a tower sitting ominously behind it.

This movie had an interesting plot outline, and it could have been an unforgettable movie. Unfortunately to many inconsistencies and weak story lines could not help it Stay Alive in the end.

A club that is dreaded by many

When I sat down to think of what Movie to review I was really torn, should I do a comedy, or maybe romance. After much deliberation I thought I would keep with the spirit of this time of year and talk about a horror movie.

I was up late last night flipping through the channels when there it was, the absolute first movie I must talk about, Club Dread. Although it must be said up front that this is a spoof on all of the slasher films of the 80's and not truly a horror film persay. This movie, like most of Broken Lizard's projects, is overlooked by mainstream movie patrons. Most of you will know Broken Lizard from their movie Super Troopers which only became popular after going to DVD, however they have quite a library of projects they have been associated with.

The premise of this movie is best described by its tagline, "Sun, Sea, Sex and Slaughter." Guest travel to a resort island owned by Coconut Pete, a 1970's Jimmy Buffet on Acid styled singer/songwriter. People, mostly college kids, come to the island to party in all respects, sometimes though it is hard to tell who parties more the guests or the employees. But once the employees start ending up dead, it is a race to find out who the killer is while staying alive. The script of this movie is excellently written with witty and fresh humor the whole way through, and the casting is fantastic. When you see this movie you are torn between wanting all of the characters to live and anxiously anticipating the next murder, because when someone is murdered most of the time it is in some sort clever horror spoof fashion that makes you laugh out loud. There is just something about a movie that can make you laugh at murder.

My recommendation is of course, see it. Just remember when you watch Broken Lizard's Club Dread, watch it for what it is, a spoof.

A Killer Movie from Outer Space

I watched "Killer Klowns from Outer Space" and it was quite the movie. Let me tell ya. Cheesy! Oy. I watched it via suggestion of my brother-in-law and I must say, I enjoyed it. Not that it was scary or intelligent in any way shape or form.

The thing that got me the most was the amazing dialogue, among other things. The dialogue was soo bad. I heard people saying things I never thought I'd hear people say and that was worth it. Then again, I heard people saying things that have been said a thousand times, but it was never quite the same in this film. Meaning, a simple line of frustration was spoken with true retro-acting glee. Fantastic.

The ending really got me, because it was suppose to be a happy ending, but technically it isn't. Unless, I missed something, but I'm more inclined to think they left something out. Especially, since they had a habit of leaving things out or leaving things hanging for a very unbelievably long long amount of time. For example, a girl got in the shower and was in there for another 15-20 minutes of the movie, because they cut to all kinds of other stuff and eventually it came back and left me thinking, "How long was she in the shower?! I take long ones, but good grief!"

The short skinny, some movies can be so bad you just sit in awe. "Killer Klowns from Outer Space" was one of those movies. I tip my hat to that. I'll just quote from it and let them do the work, "We were up at 'the top of the world' and we saw this shooting star and we decided to go look for it. But instead of finding the shooting star we saw this... this circus tent. And that's when we went inside, and that is when we saw those people in those... those pink, cotton candy cocoons. Dave, it was not a circus tent. It was something else." Yes, it was "something else", alright.

So, I say watch it... for a laugh and some amazement.

Introduction

If you are reading for the first time, we thank you. If you've been reading for sometime and are just now reading this one, we thank you. If you are wondering who "we" are, we'll tell you.

This blog is a work of Nathan Weaver and Mary Laird. We like movies. We love movies. Sometimes we hate movies. And since we know that you really care about our opinion, we decided to share what we think about what we watch. We'll be looking at old movies, new movies, movies you know and love, movies you know and hate, movies you've never heard of and so on. We'll also be talking about movies that we love, hate and even some that we are iffy about.

Before you think that we are the next two morons on the internet to make such intelligent reviews as, "Transformers rocks!" or "Frodo and Sam are gay!" know this. We both have backgrounds in movies and television and I myself co-own an independent production company (Onyx Dragon Productions). So, we do have some knowledge in what we are talking about and we do actually do the sort of thing we will be talking about for a living... and hobby. Our passions are in the medium of which we'll be speaking, that's why we will be watching movies until we die and talking about them too.

We hope you can enjoy what you read, that in some way we make you think twice about what you watch and encourage you to broaden your horizons to what you will watch. There's a lot of great movies out there that most people won't watch, because it takes them outside there comfort zone. But don't rely on us for everybody's opinion, personality and interpretation is different. Sometimes you gotta just give them ol' movies a try.


Thanks much, keep reading and keep watching,
Nathan Weaver